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Apple's professional audio production suite for Macs

Logic Pro X is Apple’s professional audio production software and the counterpart to its entry-level Garageband app that comes with Macs and iOS devices. The $199 suite offers audio recording functionality alongside world-class virtual instruments, effects, and thousands of high quality audio samples and loops. With recent additions like Flex Pitch – a completely embedded custom audio pitch manipulation tool– and the automatic beat-making machine known as Drummer, Logic Pro X remains as one of the leading software suites in the recording industry.

With Logic Pro X, Apple has notably put a focus on producers of popular mainstream genres, offering features specific to electronic music and hip-hop audio production in recent updates to the suite. That includes the new heavy weight sample manipulation synth Alchemy that Apple integrated after it acquired developer Camel Audio in 2015.

Unlike Garageband, Logic Pro X isn’t available as a full version for iPhones or iPads, but there is a Logic Pro Remote app that acts as a companion experience for controlling transport functions and other features remotely.

Our review: Logic Pro X: Powerful new features & a simplified UI with no compromises for pros

Check out Logic Pros, 9to5Mac’s weekly series exploring music creation on Mac and iOS with product reviews, tutorials, tips/tricks for Logic users, and much more. And read up on the latest Logic Pro stories below:

The Logic Pros: How to use MIDI hardware synthesizers in Logic w/ External Instrument plug-in

In this week’s episode of The Logic Pros, we are taking a look at how Logic handles external MIDI-based instruments in the real world. It really doesn’t get any easier than loading up your favorite soft-synth, but that doesn’t mean they are as fun or inspiring as the real thing. LPX has a handy feature that makes it so many of the most popular and sought-after external synths/MIDI-instruments can integrate just as smoothly:


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The Logic Pros: How to create custom sampler instruments using any audio file with EXS24

In this week’s episode of The Logic Pros, we are taking a look at one of Logic’s most prized possessions. A mainstay since, well, almost forever, the EXS24 sampler may seem basic and over-looked simply by virtue of being around for so long, but it might be one of LPX’s most useful musical instruments.

Not only does EXS24 come with hundreds of GBs of samples and the instruments they are made up of inside LPX (for free), but it can also be used to create our very own sampler instruments. For those just getting into Logic for the first time, EXS’s true potential can be somewhat hidden behind the wealth of instruments you’ll find in your library after installation, so we thought a rundown of how to create custom instruments and its additional features was in order. We will also be covering some alternate options for doing so that more experienced users may find helpful:
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The Logic Pros: How to create Retro Synth patches with custom wavetables and multi-voice stacking

In this week’s episode of The Logic Pros, we will take one final look at some of the new additions to Logic Pro X 10.1. We have already gotten a taste of a number of very helpful new features including custom plug-in menus, Track Stacks, the Brush Tool and the powerful new Drummer features, but today Retro Synth is on tap.

While Logic already had a number of classic synth-inspired virtual instruments like ES1, 2 and more, we are talking about instruments that have been around for 10 years+. A serious breath of fresh air for Logic users, Retro Synth (RS) wraps all the major synthesis disciplines of yesteryear – classic subtractive, hard sync, FM and more – into one, neatly packaged virtual instrument. Not only does RS standup to many of the basic analog synth emulations out there, but the LPX 10.1 wavetable updates just put it toe-to-toe with many of the $200+, third-party flagships:
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The Logic Pros: How to customize Logic’s Drummer, beat-by-beat

In this week’s episode of The Logic Pros, we wanted to dive deeper into Logic Pro X’s Drummer. Considered by many to be a tool for kids, amateurs and even the lazy, Drummer is a much more versatile and customizable feature than you may think. In fact, I would argue it might be one the most interesting and powerful additions to LPX, not to mention one that Apple just hands out for free.

Whether its the slightly embarrassing drummer names or the preset stigma that surrounds it, Drummer tends to be overlooked and, in my opinion, quite underrated. Today we will be taking a closer look at what this feature has to offer, along with how to customize the drummers and the parts they play to work with our original compositions and ideas:
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The Logic Pros: 6 powerful new features you may have missed in Logic 10.1

The Logic Pros is a new regular series exploring all of the most interesting gadgets and software for making music on your Mac/iOS devices. If there is any gear you would like us to take a closer hands-on look at, let us know in the comments section below or shoot us an email.

In this week’s edition of The Logic Pros, we will be diving into some of the most tucked away and over-looked features packed inside the release of Logic Pro X 10.1. We saw a number of interesting new features get added including AirDrop/Air Mail, a host of new Drummers, and Retro Synth got a seriously powerful overhaul (something we will be looking at in the future). But there were also a few features that didn’t get much attention, whether it be Logic’s brand new MIDI performance creation tool, its simple embedded automation, smarter quantization, or its fully customizable plug-in menus:
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The Logic Pros: How to control anything in Logic using your hardware MIDI controller

The Logic Pros is a new regular series exploring all of the most interesting gadgets and software for making music on your Mac/iOS devices. If there is any gear you would like us to take a closer hands-on look at, let us know in the comments section below or shoot us an email.

In this week’s edition of The Logic Pros, we will be looking at how to map all those fun looking sliders, switches, buttons and encoders on our controllers to various functions inside of Logic Pro X. In many case, we get home with our MIDI controller, plug it in, and it just works. The keys/pads function just as they should, but the plethora of other dials and faders available generally won’t do much, unless you tell them to.

We will be covering the basics of how to get our MIDI keyboard/controller mapped to just about any parameter in our session, along with a few creative ways to bring some of Logic Pro X’s more powerful features into the real world:
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The Logic Pros: How to create multi-layered synth patches & drum sounds with Track Stacks

The Logic Pros is a new regular series exploring all of the most interesting gadgets and software for making music on your Mac/iOS devices. If there is any gear you would like us to take a closer hands-on look at, let us know in the comments section below or shoot us an email.

In this week’s edition of The Logic Pros, we will be sticking with the basics to highlight one of Logic Pro X’s most helpful additions: Track Stacks. It is mainly used for organizational reasons and to provide a simple way to create sub-mixes inside your DAW, a technique that has been used by recording engineers/song makers for decades, and previous to Track Stacks, required a number of clicks to get up and running.

Most tutorials and articles online that showcase Logic’s macro, auto-grouping feature focus on the track management abilities and the ease with which Track Stacks allow not-as-experienced users to group tracks together in sensible ways. On top of all that, we will be exploring some of the more creative ways to use the feature, including the creation of fat, multi-layered synth patches/drum hits, and the streamlined editing there of:
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The Logic Pros: TE’s new pocket-sized synths & how to sync them up with your Mac

The Logic Pros is a new regular series exploring all of the most interesting gadgets and software for making music on your Mac/iOS devices. If there is any gear you would like us to take a closer hands-on look at, let us know in the comments section below or shoot us an email.

Teenage Engineering, best known for its flagship synthesizer/sequencer the OP-1, recently unleashed a new line of tiny music makers on the world known as the Pocket Operators. The PO-12 Rhythm is a drum machine, the PO-14 Sub is a bass module and the PO-16 Factory is dedicated to melodies and lead lines. The appearance of the units may have some writing them off as toys, and considering they were partially inspired by pocket calculators and the Nintendo Game & Watch products, that may not be totally off base. But creativity and musical inspiration come from unexpected places sometimes.

Having gone hands on with the PO-16 model for over a week now, I have found it to be quite a playable little instrument, with its own interesting quirks, creative limitations, and boutique sound. Most examples of the little device in action appear to be freestyle techno jams, song re-creations or somewhat avant guard pieces that don’t seem to offer much in the way of real-life production applications. So I decided to run the new Factory model through its paces, putting it alongside some bigger name virtual/hardware instruments in the space to see how it would hold-up in a more typical Logic or GarageBand production.

Read on for more details on the PO-16, how to sync this bad boy up with your other hardware and to hear how it sits inside a mix with some big name software/hardware…
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Apple reportedly acquired audio software developer Camel Audio in January

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Audio software developer Camel Audio announced in January that it would be shutting down for good and removing its software from sale, but no one knew quite why. However, it now appears that the company has been acquired by Apple.

Today Camel Audio updated some of its corporate information, including its address and directors, as listed on the UK government’s Companies House website. The new address is 100 New Bridge Street in London, which also happens to be the address of Apple’s UK offices.


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Logic Pro X 10.1 arrives w/ tons of new sounds, AirDrop sharing, redesigned plug-ins, & editing improvements

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Apple today released a new version of Logic Pro X, its professional audio editing software, bringing the current version to 10.1 and adding a long list of new features. Among the new additions to Logic Pro X in version 10.1 includes 10 new Drummers, the intelligent beat profile feature, focused on hip hop and electronic styles. OS X Yosemite users will appreciate the ability to share projects from Logic Pro X to other users using both Mail Drop, which lets you send large files over email using iCloud storage, and AirDrop, which lets you share files wirelessly between nearby Macs.

In addition to updating Logic Pro X, Apple released version 1.2 of its Logic Remote iPad app with a new plug-in view for remotely controlling parameters and adding or rearranging plug-ins. The new version also allows you to adjust mic and input settings with compatible audio interfaces from the app. Apple’s MainStage 3 Mac app ($29.99) updated to version 3.1 as well. You can read our full review of Logic Pro X here, and see the full change log of new features below:


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Holiday gift guide: Making music with your iPhone, iPad, and Mac

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It doesn’t take much to get up and running recording music on your Mac, iPad, or even your iPhone. With a few pieces of additional hardware and the right software, it’s easier than ever to have a home recording setup that, thanks to iOS and some great third-party apps, is as simple and as intuitive to use as iOS itself.

Head below for our latest guide to the essentials for making music with your iPad, iPhone, and Mac, many of which are currently discounted for Cyber Monday:
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Logic Pro X updated with improvements for 12-core Mac Pros, bug fixes, and more

Logic Pro X has been updated today with a number of bug fixes and improvements. First on the list of changes is better support for 12-core Mac Pros, which can now utilize up to 24 threads at once. Fixes to step sequencer issues when using Low Latency Mode and alignment guides have been implemented, and several XML import and export bugs have been taken care of.

A few extra enhancements also appear in this update: You can now copy automation data and paste it to any location using the Marquee tool; MIDI devices with volume and pan controls can now be set to control the software instrument rather than the channel strip the instrument is recorded on; and volume, pan, and effect send values can now be inserted into the automation track at the current playhead position.

There are also upgrades to the app’s accessiblity features. You can grab the update for free if you already own Logic Pro X. The app is $199.99 for new users on the App Store.

What’s New in Version 10.0.7

• Now supports 24 processing threads on 12-core Mac Pro models
• The current volume, pan, and send values for all selected tracks can now be inserted at the playhead position
• Enabling Low Latency Mode no longer creates sync issues for Drummer, Ultrabeat, Native Instruments Machine and other plug-ins with integrated step sequencers
• Automation can now be copied and pasted to any location using the Marquee tool
• Adds an option for MIDI volume and pan data to control the instrument plug-in instead of the channel strip
• Resolves several snap and alignment guide issues
• Various fixes that improve XML import and export with Final Cut Pro X
• Contains multiple enhancements to Accessibility

Editors Keys turns Apple’s wireless keyboard into the first Logic Pro X shortcut keyboard

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Editors Keys today announced the first ever wireless shortcut keyboard for Apple’s recently released Logic Pro X audio suite.  The keyboard sports 150 shortcuts and the company notes it was also able to fit in some extra shortcuts as icons sitting behind the text on each key. Perhaps the best part of the new Logic Pro X keyboard is the fact that Editors Keys used an actual Apple wireless keyboard for the product, which means you’ll be able to swap out your current Apple keyboard without sacrificing the look and feel. The company says it worked with the Logic Pro X community to develop the best experience possible for users: 
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Former Apple ad consultant Ken Segall: Steve Jobs considered killing off pro products

Former Apple advertising consultant Ken Segall at the University of Arizona in March, 2013.

Ken Segall, author of Insanely Simple and former Apple advertising consultant, today posted a blog entry detailing his views on the evolving definition of “pro” at Apple. In it, Mr. Segall claims that Apple is working to rework the pro industry and grow a “larger audience of high-end consumers who can suddenly understand, enjoy and benefit” from the apps and hardware.

An even more interesting tidbit is what he reveals about Steve Jobs’ plans for the company’s pro products:

Could it possibly be? Would Apple ever even think about saying goodbye to the pro market?

I hope you’re sitting down for this, but Steve Jobs did in fact once consider that very option.

This was back in the days when iMac had established itself as a global bestseller. During one of the agency’s regular meetings with Steve, he shared that he was considering killing the pro products.

His rationale was as you might expect: consumer products have an unlimited upside, while pro products are aimed at a niche market that eats up major resources.

While FCP X wasn’t initially well-received by professionals, Logic Pro X has been receiving great reviews and the upcoming Mac Pro innovations display Apple’s continued commitment to developing powerful pro apps and hardware, despite the smaller market size and potential profits.

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Apple updates Logic Pro X with performance improvements & bug fixes

Following the release of a redesigned Logic Pro X suite earlier this month, Apple has just updated the app to version 10.0.1 with a number of bug fixes and performance improvements. Notably, its new Track Stacks feature will “no longer be inadvertently flattened by loading a Patch” and will also have access to Tuner for stacks containing audio tracks. In addition, Apple says “24-bit audio files are no longer converted to 16-bit when exporting projects to AAF”.

Full release notes below:

Apple releases Logic Pro X & MainStage 3 in Mac App Store, Logic Remote for iPad

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Update: Logic Pro X is now available in the Mac App Store for $199 and the new Logic Remote companion iPad app is available for free. MainStage 3 is also now live on the App Store.

Something that we’ve been expecting for quite sometime is happening today as Apple follows in the footsteps of “Final Cut Pro X” with the release of a brand new version of Logic dubbed “Logic Pro X“. The release of updated app comes with a ton of new features on top of  a revamped UI and a new version of MainStage 3. The question is, has Apple stripped away some of the core features professionals rely on, or has it learned from its mistakes with the controversy surrounding Final Cut Pro X?
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